It’s not often that a horror movie comes along that reflects what is happening in pop culture or feels as though it was ripped from the headlines. I’m surprised there hasn’t been much buzz about Nightborn, considering it’s about the horrors of post-partum depression and media attention surrounding the Lindsay Clancy case. I know everyone has their opinions on the case, and because of the case I kind of let this film simmer for a while before deciding to write this. I’ll start by saying that if you're sensitive to the topic of the film, you may just want to skip it altogether, and don’t bother reading this review, I’m not here to spoil anything, and I don’t want to upset anyone, either. One other thing that may turn people off to this film is that it is a Finnish film with a mix of English and Finnish poken throughout, and I know some people just hate subtitles … With all that out of the way, how is the movie, what is it all about, and most importantly, is it any good? The film opens up with a young couple, Saga (Seidi Haarla) and Jon (Rupert Grint), who move into an old family home that rests on the outskirts of a Finnish forest. After engaging in some adult activities in the woods, surrounded by some disturbing looking trees, we definitely get the impression they are being watched by some unseen entity. It’s not long after that Saga discovers she’s pregnant and we see her have the baby, and, well, let's just say the birth scene is a bit gory and not what the young couple expects.

"Space ... the final frontier. These are the voyages of the Starship Enterprise. Its 5-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before!"

Star Trek: The Original Series finally makes it to high definition. If you’re anything like me, you’ve been waiting for this day for what seems like centuries. They’re here. One of the best features about this set is the multi-angle option. Remember how we were promised all of this control way back when DVD’s first hit the market? We got the same promises when Blu-ray arrived, but we weren’t going to hold our breath. Hey, I still have a red, yellow, blue, and green button on my Blu-ray remote. What are they ever going to be good for? Anyway, we finally have a use for the angle button. You can use it to toggle between the new digital f/x Paramount recently created for the show, or you can watch the original f/x if you’d rather. With that button you now have the ability to toggle between the two. Through the use of branching technology you can go between them as often as you like and never stop the show.

"I hold a grudge. I really do. Back to you. You did 25 years. You didn't rat, but you also didn't learn anything. You get out here. You move west. But the killing spree continues. Bikers. Chickies. We know everything. Everything you've been up to since you got out here. But as of right now I'm not going to charge you for mass murder ..." 

Maybe the heat has finally caught up with Dwight. It's Season 3, and where are we going from here? Let's back it up just a bit. Sylvester Stallone plays mob guy Dwight "The General" Manfredi. It's his first television role, and he couldn't have chosen better than to appear in a Taylor Sheridan show on Paramount+. Sheridan pretty much owns the streaming service, all of it except maybe the Star Trek shows. He knows how to create characters and to then put the right actor in that role. I've seen it happen a thousand times now, from Yellowstone to Mayor of Kingstown and a couple of Yellowstone spin-offs. The part appears made just for Sly, and he makes it worth everything he has, all the while making it look effortless. That's Sheridan's magic, of course. Create and cast well, and no one has to really work at all. Yeah, that's a bit of an oversimplification, but it sure looks that way, doesn't it? That ain't workin'. That's the way you do it.

"Dearest Rebecca, I know you have many questions. So do I. After all, life is a mystery. But if there's one answer to all of the riddles of the universe, one secret to happiness, I promise it would be simply this ... sheep. No, seriously, it really is sheep."

It really is. The Sheep Detectives is exactly what it sounds like. No. it's not detectives investigating sheep. OK, so it might not be exactly what it sounds like. It's the sheep that are doing the investigating here, so move over, Monk. Move over, Sherlock Holmes. Move over, Columbo. This one is going to be solved by the sheep. No, seriously. It's going to be solved by the sheep. It all started with a German book for the kids called Three Bags Full written by Leonie Swann in 2005. The screenplay is by Craig Mazin, and it was directed by Kyle Balda and is his first live-action film after directing popular animated titles like a few Minions films as well as being co-director of The Lorax. So now he's taking a stab at live action ... but that's not completely true. Yes, I'm talking about the ... sheep, which are all CGI. It's now out on Blu-ray from MGM/Amazon studios, and it's going to be a rare (these days) real family treat.

Well, this film features a pretty stacked cast of talents with the likes of Tom Waits, Adam Driver, Cate Blanchett, Mayam Bialik, Charlotte Rampling, and Indya Moore coming together in this triptych divided into chapters set in New Jersey, Dublin, and Paris. Not only is it a stacked cast, but it’s also a lot of repeat business, as this film marked the second collaboration between actress Cate Blanchett and director Jim Jarmusch after Coffee and Cigarettes, the third collaboration between actor Adam Driver and Jarmusch after Paterson and The Dead Don't Die, and the sixth collaboration between actor Tom Waits and Jarmusch after Down by LawMystery TrainNight on Earth (Waits composed it), Coffee and Cigarettes, and The Dead Don't Die. So obviously, Jarmusch has fostered some great relationships with impeccable group of actors and vice versa; the actors have found a creative storyteller with whom they wish to continue collaborations. This triptych is a example that creative storytelling, as the three chapters, or better known as movements, are narratively independent but thematically interconnected.

"Do you want to know if I'm innocent? The last time I was innocent was 15 years ago in court. Innocence doesn't exist in prison. It doesn't matter. Nobody cares. If you care, stay away from me. Don't ask me out to dinner. I get confused."

In January of 1992 at the Sundance Movie Festival the world was discovering a new filmmaker who brought his first effort, Reservoir Dogs, to the festival where it was highly celebrated and acclaimed. The world knew Quentin Tarantino. But that wasn't really his first film credit. Three months earlier at another film festival in Vancouver, Jan Eliasberg's Past Midnight with Rutger Hauer and Natasha Richardson was having its own place on the screen. So what's the connection? Screenwriter Frank Norwood was struggling with the film's script, and an unknown writer was brought in to give it some life. He was so unknown that he didn't even rate a writing credit, but the buzz is he wrote most of what appeared on the screen. Instead he gets a throwaway associate producer credit, and that might have been the end of a short career. Of course, it wasn't, and there are obvious Tarantino staples in the film, which might make a great drinking game if you're up for spotting them all.

"Solitude can be a little dangerous. So can being a Dutton. Violence has a way of finding the Duttons."

Hit television shows have a way of finding Taylor Sheridan, and Yellowstone became one of the biggest in recent years. He has an ability to attract major talent, and getting Kevin Costner for Yellowstone was a huge get and cemented Sheridan's hold on the modern drama by adding a little bit of the old frontier. Of course, his relationship with Costner soured over Costner's attempt to create the ultimate western epic four-part film series. He threw Sheridan under the bus to do it, and the result was a half season of Yellowstone that was rushed and built around the fallout and ultimately unfulfilling to the audience. But one relationship that hasn't soured is Sheridan's relationship with Paramount. He was ready to walk away until he set his sights on a huge ranch that was going to cost him $300 million. That love affair means that he's in for the long haul with Paramount, and we can continue to expect these shows for some time to come.

When you consider how many Texas Chainsaw Massacre films there are and how many of them are just not good, can you really get mad when a knockoff comes along that’s kind of fun? No, Dolly isn’t about a family of cannibals, but the character of Dolly is mostly Leatherface in a dress, replacing a skin mask for a doll mask and instead of a chainsaw, Dolly’s weapon of choice is a shovel. The film is also a nice departure from the typical psycho killer hillbillies running around the woods. No victims are being forced to squeal like a pig but instead are coddled like a baby, still creepy but just not as traumatizing. This is a film that certainly knows where it’s inspiration came from, and the result is a film that is ripe for watching late at night, and even better if you have a camping trip or hike planned in the near future. Does this mean the film's any good? Well, grab onto your nearest and dearest dolly or plushy, and I’ll tell you all about it.

"Yeah, I'm old. So I know a thing or two about a thing or two."

Jack Reacher is a character found in a collection of novels by Lee Child, who is really British writer Jim Grant. We were introduced to Jack Reacher in the novel The Killing Floor. It would also provide the material for the first season of this Amazon streaming series. As the popularity of the books grew, it didn't take long for the character to reach the box office, and while he didn't resemble the literature character in any physical way, it was Tom Cruise who first brought him to life on the big screen. There have now been two feature films and 30 books released to carry on the exploits of Jack Reacher. Amazon and Paramount Studios have brought him to the smaller screen, and this time I think they did the character far better justice. The response has been quite positive, and now you can judge for yourself with release of Reacher: Season Three on Blu-ray. I had the opportunity to check out the Blu-ray, and it was a pretty good time, to be sure. Here's what I found out.

You know exactly what you are getting when you go to watch a Jason Statham movie. There is a playbook that is followed with just enough deviation to make the film slightly different from its predecessors. They usually have a one-word title (Mutiny makes 17 one-word title movies that he’s made), and Statham is portraying some kind of stoic or loner, usually with some kind of military, law enforcement, or possibly assassin background. And finally, typically due to circumstances beyond his control, he is forced to break his isolation, usually to help the innocent and bring down a governmental or criminal conspiracy. Like I said, you know what you are getting when you go to see a Jason Statham movie, and in many respects, Mutiny follows that playbook to a tee. The thing is one thing I can honestly say has never happened while I watched a Jason Statham movie: I’ve never been bored. And Mutiny is no different. Because no matter what the plot is, Statham is going to deliver an action-packed experience that doesn’t rely on a lot of unrealistic sequences. Practically everything that he does, every way that he dispatches someone, is grounded in reality, and I have zero trouble believing that he could kill someone that way if he really wanted to.